Showing posts with label 4CommonCorners. Show all posts
Showing posts with label 4CommonCorners. Show all posts

Monday, December 23, 2024

New Quilt-Chinle Formation

 Our art quilt group had a call titled "4 Common Corners: Rocks" and even though I live in Oklahoma we were all supposed to be inspired by some rocky something in one of the 4 corners states.  I picked the Chinle formation which forms part of the beautiful red striped badlands in Grand Staircase Escalante National Monument.  

In parallel, I'd been working on knitting the Goji shawl pattern (here's a picture of it) using some hand dyed yarn I bought one year at the kelyville fiber festival.  I loved the 3D little undulating bits.  They reminded me of bird nests or caves something, but I didn't really need another shawl like that. 



It was pretty bulky yarn, and I wound up with three fairly small pieces of knitting, but I really loved the texture.  I felted them all so they'd feel more like fabric.  Unfortunately one more skein of yarn I'd added in from my stash didn't wind up felting properly, so I couldn't use it.



 However I was struggling with how to incorporate the knitted pieces into a quilt.  It just didn't feel like enough, so I started experimenting with little limpet/barnacle shapes I made out of quilted cast-offs to complement the knitted pieces.  



At first I tried laying them out on a white quilted background, but they just didn't feel right so in the end I painted the background to feel sort of sky-and-rocks-ish and then stitched all the dimensional elements on the top.

It's not my favorite piece ever but it filled the brief and I love all the 3D elements.

Chinle formation, 2024, c. Shannon Conley, 40"H x 30"W x 3"D











The artist statement reads: "The Chinle formation is a Triassic-era geological formation that spreads throughout the 4 Corners region.  In many parts of the Colorado Plateau its colorful stratigraphy is exposed in classic regional landscapes, forming stripey red rock formations against the clear blue southwestern sky."



Monday, September 23, 2024

New Quilt: Galaxies, Suns, and the Planets in Their Courses

 The second call this year for our art quilt group 4 Common Corners was "Improv at the Corners".  I was initially struggling with this, I don't really do traditional "improv" but settled into it as an opportunity to explore something I'd been thinking a lot about, namely what to do with the "outer edges" that are left over after cutting shapes out with my digital cutter.  

I make quite a few quilts that use the digital cutter to cut out fusible applique shapes, and I'm always left with all these scraps that are tiny, weirdly shaped, and have fusible on them.  But often they're some of my favorite hand dyed or painted fabrics so I hate to toss them.  The net result is that I have several large baskets of these scraps and I decided to use some in this project.  As with most scrap projects, after doing the whole project you can't even tell that I used up any (based on how many are still left), so maybe this is motivation to do another one (or two or three) of these.

I selected a bright blue shiny background fabric and sketched out only the broadest sort of shapes.  I was inspired by the shapes of nebulae in the night sky, but only very very loosely.  

Here are a couple of in-progress pictures.  Each main element (whether coral or teal) was surrounded by a band of dark navy bits, and then I filled in the background with gold bits.  I wind up with a fair amount of gold because a lot of the precision cutting is for my illuminated manuscript series and I use a lot of gold in that.


A lot of the red and coral bits came from my boxelder bug quilts, so there are a lot of antennae and bug shaped outlines in there.




The blues and corals are from a wider range of projects, but a lot of them are from my original mammal mandala from 2014.  You can see lots of outlines but also a possum and some possum babies that didn't make it into the original quilt.



Here's the finished piece. The gold background all came from my Lord's Prayer quilt, and in a few places in this quilt you can actually make out some words from the Lord's Prayer. 










Galaxies, Suns, and the Planets in their Courses, c. Shannon Conley, 2024, 31x31"



I love the way this turned out.  It was fun and flowed freely, and I'd love to do some more like this.

Monday, July 27, 2020

New Quilt: You will be in the midst of them.

Through this spring and summer I've been meditating on my quarantine experience and how to express at least some of that experience in my quilts. I live alone, and in common with many people for a lot of this spring my only interaction with people was through zoom meetings!

My family in particular has kept me connected, meeting twice a week for celebration of the Episcopal liturgies of  Morning and Evening Prayer and at other times in between for games and conversation.  For those who may not be familiar, the Episcopal daily office liturgies are short prayer services designed to be led by lay people rather than clergy.  They include prayers, psalms, and other Bible readings.  Quite a bit of the service is communal or responsive prayer and the joining of multiple voices (even over zoom) gives me a shared sense of community.  

With a few occasional additions or absences, we were 8 zoom, screens.  My grandma, my Aunt Susan and Uncle Kenny, my sister and her family (on 2 screens), my parents (on 2 screens), my Aunt Janet, and me.  We're spread across four states and 6 households. On Sundays, my 8 year old niece typically reads our Bible lesson from the Old Testament and my 6 year old nephew led us in responsive reading of the Psalm.  Hearing their voices through the computer (and those of other family reading the other lesson) was a source of strength for me. 

In any case, my mind kept coming back to the idea of connections, of our virtual connections keeping me grounded even in the absence of in-person interactions. The idea of a tree connecting us and its roots keeping us grounded really spoke to me.  Our June call for our 4 Common Corners art quilt group was "Wisdom of Trees" so it seemed fitting.

I started with eight different fabrics to represent the 8 zoom screens: silks, polyesters, a piece of some old polka dot pajamas, and other miscellaneous weird things.  On each panel, I wrote the prayer of St. Chrysostom, the prayer with which we close our services.  Its line "and you have promised...that when two or three are gathered together in his name, you will be in the midst of them" has turned into a mantra for me as I continue to move forward in this chaotic time.  

I cut a tree silhouette out of tablecloth vinyl and used it for the wet sunprinting/painting method that Betty Busby uses.  Basically you get your fabric wet, paint it, and then lay down the vinyl.  When you set it in the sun to dry, the areas outside the vinyl dry faster so the color wicks out from underneath the vinyl and you wind up with a cool printed silhouette.  I used paint pens and other pens to accent the shapes and then layered and did initial quilting on each panel separately. 



Then the squares were trimmed to size.  The panels were laid out over several strips of water soluble interfacing and then the quilting was completed.  The edges are finished with couched yarn and then the quilt was soaked to remove the stabilizer.  This results in a quilt with eight separate panels held together quite strongly by apparently tenuous threads of quilting.




Here's the whole thing.  It came out how I imagined.  

My family member's names are quilted into the blocks, indelibly imprinted into the fabric of the piece.  Here are a couple examples,  Aunt Janet and Grandma, but they are all there if you look closely enough.







One interesting outcome, there is one block, the third down on the right, which doesn't appear to have the prayer written on it.  Interestingly, this was the block I chose for "me"; the fabric was pale pink, and I used a fantastic neon pink paint pen to write the prayer.  You can see it pretty clearly in the very top picture.  However, after the paint had dried and I was done quilting, you can hardly see any of the writing on this block!  It's the first time I've ever made something neon pink that has completely receded into the background.




Have you guys been incorporating your quarantine experience into your art?



Wednesday, May 13, 2020

Thorns and Spikes-Lantern Flames

My mom recently started up a small art quilt group centered on people in the Four Corners region.   It's pretty new, but our first call for entry was titled Thorns and Spikes.  I immediately thought of all the quilts I've made that incorporate aluminum window screen and how scratchy and annoying it was to work with that.  I wondered whether I could incorporate that as "spikes" somehow in my piece. 

After displaying my large flowers at the NM Capitol in 2018, I decided to cut up the Bromeliad piece because I just wasn't happy with the overall shape of that one.  Since it was one that had incorporated the aluminum window screen, I figured now was the time to repurpose some of it into something else.  The original piece had a layer of painted velvet as the front, then a layer of batting, then a layer of window screen, then the backing fabric all quilted together.   One of my goals in this piece was to at least partially expose the spiky edges of aluminum, so I started by cutting out flame shapes, and then carefully picking out the quilting along the edges.  I then trimmed away the front fabric, batting, and backing fabric, leaving only the windowscreen showing.

Fort the background, I found this pale yellow gold shawl scarf thing that had bunches of pleats sewn into it with gold elastic.  I have no idea where it came from, but I loved the texture.  I stretched it out to the required width (20") and fused it to some leave-in interfacing before painting it and quilting it.  The last step was stitch on my five spiky thorny flames!  I picked areas out of the original quilt to cut up that had subtle color variations and quilting variations, and I love the way it turned out.  The binding is maroon velvet,  and in case anyone is wondering, yes it is a very dumb thing to try to make binding out of.


Here you can see me cutting out flames from the disassembled bromeliad quilt.



Those are my "quilting" gloves,  very grippy!  This is the piece mid-quilting, after stretching and painting.


Lantern Flame, c. Shannon Conley, 2020, 30" x 20"

Unfortunately, these pictures had to be submitted by a March 31st deadline (yes I am VERY behind blogging), and of course I didn't finish until two days before.  With the social distancing coupled with Mike's recent knee surgery, I wasn't able to have Mike take my pictures.  He lent me his camera, but even so my pictures aren't nearly as good as his are.  Oh well!  Here are some closeups.


Here you can really see the spiky metal edges sticking out!  One nice thing about the shapable window screen is that this piece can be rolled for shipping and subsequently "fluffed up" in contrast to the kirigami quilts which just aren't flexible in that way.