Showing posts with label Peering Out of the Darkness. Show all posts
Showing posts with label Peering Out of the Darkness. Show all posts

Thursday, October 27, 2016

Upcoming Shows

In less than one week, my mom and I will be traveling to IQF in Houston for the quilty extravaganza of the year.  If you're going, drop me a note in the comments, maybe we can say hi in person!  I'm privileged to have two quilts hanging there this year.  My quilt Eucharistic Prayer C: Convergence is in Quilts: A World of Beauty, and my quilt Peering Out of the Darkness is part of the Quilt National 2015 exhibit at IQF.

My mom also has a quilt in Quilts: a World of Beauty, hers is called Conflagration, Desolation, Rejuvenation, Jubilation.  She also has a second quilt in the brand new SAQA show "Turmoil" called Flying Geese (sadly I don't have a picture of that one).  If you make it to Houston, definitely check these out, they're so much more interesting in person than in pictures.

Shannon Conley, Eucharistic Prayer C: Convergence

Shannon Conley, Peering out of the Darkness



Vicki Conley,  Conflagration, Desolation, Rejuvenation, Jubilation


Mom and I also both have quilts in Art Quilts XXI: In Stitches.  This annual show is opening November 18th at the Vision Gallery in Chandler, Arizona.  My dog quilt is going to be hanging in the show, and my mom's fabulous donkey quilt, Shocked, is also going to be there.  Super exciting, her quilt is on the show postcard!


Shannon Conley, The Dogs


Vicki Conley, Shocked #2


It's really exciting to get to have pieces hanging at these venues, and I encourage you to check them out if you're in the area.


Monday, June 1, 2015

Pink Polka Dot Dress and Opening Reception

I was so lucky that my mom came with me to QN15- we have such a great time together and wound up making a mini-trip of it.  Before we went, I sewed up a new dress to wear to the opening reception, and of course it's pink.  I fell in love with this pink polka dot fabric a while back and made this dress based on a shirt pattern I'd made and liked previously.
  


The best thing about the opening was getting to meet so many fabulous artists.  64 of the accepted ~85 artists were at the opening and we had lots of opportunity to talk with each other.  Kathleen Dawson, the QN director, put pictures of all our quilts on our name tags.  It was one of those great ideas that really made a difference when we were all milling around, since it made it easy to put an artist face with a particular quilt and gave us someplace to start a conversation.  I'm so nervous meeting new people, especially people whose work I've admired from afar for a long time, but everyone was super friendly and open.  I spent a fair amount of time scurrying around getting the other artists to sign my show catalog- almost like yearbooks in high school.   It was especially neat to hear each artist talk about his/her piece, both from a technical and artistic standpoint.  Diedre Adams, who had a beautiful piece in the show, kindly took pictures of most of the artists and their pieces which she shared on her blog.  Definitely worth checking out if you'd like to see more of the work.  My friend Barb drove up from St. Louis to see the show as well, and it was great fun to see her.



I'm generally not one for selfies, but I love taking selfies with my mom.

You can see in the next one what a lovely job the Dairy Barn did hanging my piece so you can see the shadows behind it.



On the last day we went to Hocking Hills State Park and took a nice hike.  Even though we weren't on the most popular paths, since it was Memorial Day weekend there were hordes of people everywhere.  It reminded me of the country around Sewanee where I went to school, and was really a lovely state park.  The weather was gorgeous and made a nice break from home where we have had non-stop flooding rains and other severe weather.









Tuesday, May 26, 2015

Peering Out of the Darkness: Quilt National 2015

My mom and I just got back from the opening of Quilt National 15 at the Dairy Barn Arts Center in Athens OH, and it was a really wonderful trip for so many reasons.  Later in the week I'll share some more pictures of the opening and our trip, but today I want to focus on the piece I have in the show.  I'm so excited to have been a part of such a wonderful exhibit and so happy to finally be able to share my piece here.  The entries were due last September, so I was actually working on this last summer. In my brain it feels like old work, and I've been really anxious to share it.  One of the best parts of the opening was that each artist was given two minutes to speak about his or her piece, and I think the recordings/videos from that are going to be on youtube.  If they get posted I'll share the links.

This piece had been brewing in my head for a long time, and I was pleased to finally be able to make it.  I talked about the process a fair amount here, and I mostly just want to share the final pictures now.

Peering Out of the Darkness, Shannon Conley, 2015 50" H x 42" W
Artist Statement: This wintry night scene is designed to capture the relationship between us, standing alone in the darkness, and the piercing lightness of the world outside.

I wanted to explore the ideas of ambiguousness and of taking away, of suggesting. The feelings of the woman staring out the window are up to you- is she hopeful? Sad? Desperate? Inspired? I wanted her expression to be sufficiently unclear that the interpretation reflected the feelings and situation of the viewer rather than the artist.


Peering Out of the Darkness, Shannon Conley, 2015, detail

The piece started from completely white fabric which was painted (with all different colors of mostly latex housepaint, but also screen printing paint and shiva paintsticks), cut, and quilted.  For me, the dual shadows--those projected within the piece, (i.e.in the bottom section) and those projected behind the piece (i.e. when it is hung away from the wall) are a critical part of the composition.  I was really pleased with the way it was hung in the Dairy Barn and will show some more pictures of it hanging later in the week.

Peering Out of the Darkness, Shannon Conley, 2015, detail

Peering Out of the Darkness, Shannon Conley, 2015, detail

There are many thread colors throughout the piece, including incorporation of metallic threads, so that from afar it looks very grey and muted but up close there is lots of variation.

Peering Out of the Darkness, Shannon Conley, 2015, detail

I'm linking up to Nina-Marie's as always!


Friday, March 13, 2015

SAQA Auction Quilt

It's time once again to make small 12 x 12 quilts for the SAQA auction.  I love trying things a bit different for this, often in preparation for a bigger quilt, but this time it turned out the be the other way around- I did the big quilt first, and am now using up leftover bits for the auction quilt.

I haven't blogged about the bigger quilt though, since it was for a show with rules about that, so it's all new here!  For these smaller quilts, I started with two pieces of already quilted fabric that had been trimmed off of the bigger quilt during the squaring up.  It's kind of hard to see in the first picture, but if you look at the second picture, you can see it's two different pieces.  Since they were already quilted, I attached them together using bias tape.  I had enough of these quilted pieces to make three small quilts, and each one is slightly different.

To back up a little bit, both the top and bottom sections started as white polyester fabric that I painted with latex house paint in blue-grey-purple.  The pieces were then quilted (again all as part of something much larger), the bottom to look like plank flooring and the top in some random fillers meant to feel like wind and the outdoors.  Of course since they didn't make bias tape in the right color, I had to paint it too.

For these smaller pieces, I then designed my composition in illustrator (that's my silhouette looking out the window) and printed it on freezer paper.  I then quilted around everything in the picture (window frames and person), and tore off the paper.


Next, I used my silhouette cutter to cut the silhouette of the person out of adhesive foil so I could use it as a stencil.  I used my silver, blue, purple, and black Shiva paintsticks to shade in the silhouette and then removed the foil.



Next I mixed up some more of my latex paint and painted in the window frames in a darker shade than the background.  In the picture just below you can see the stitched outline of the window frame and then in the subsequent picture you can see I've painted it purple.  It didn't really matter about going over the lines into the window because as you can see in the third picture, my last step was to cut out the window panes to give an openwork feel.  I sealed the cut edges with my soldering iron so there'd be no fraying (thus the polyester fabric).




Here they are all faced and finished, one will be donated to the SAQA auction and the other two will just be for sale.  Thanks to Mike for taking the pictures.  It was fun to use up the extra bits cut off from another project and I'm anxious to show you guys the bigger quilt in a few months!  My goal was for the pieces too evoke thoughtfulness and reflection.  Maybe hopefulness or calm, or even anxiety or sadness.











Linking up with Nina-Marie as always!