Show Announcement: Beyond Tradition

Hi all, I just wanted to pop in to say that I have several pieces in a SAQA New Mexico regional show called Beyond Tradition.  It's being held at the Hubbard Museum of the American West in Ruidoso Downs, NM and runs from April 5-September 1.  If any of you are traveling through southern New Mexico, you might check it out!

I'm privileged to have three pieces hanging in Beyond Tradition: Winter in Lincoln County 2: Sierra Blanca, Winter in Lincoln County 1: The Orchard, and Ring Around the Mole.

Concurrently hanging at the museum are A Walk in the Wild and A Color Runs Through It, so you can also see Seymour the Coelophysis, Taming the Gorgons, and Black and White and Read All Over.

Many thanks to Betty Busby who has worked really hard to make this happen, and also to everyone else who helped including my super Mom who has been the local contact for it.  

Black and White and Read All Over

Saturday very very early I'm leaving to meet Mike (who is already up north with the motorcycle) for a week of hiking and motorcycling in Glacier National Park.  I'm super excited, I love National Park trips and Glacier is lovely.  Luckily my good friend Justin always housesits for us so the monsters don't get too lonely.

I've been trying to decide which hand project to take on the trip-  since we're traveling on the bike it has to be something pretty small.  I'm thinking about one of Carina's embroideries, but we'll see if I get sufficiently organized in time.

Before going though, I wanted to share this recent finish.  It was also made for the black and white  and one color challenge I talked about last week.  It's not the terrible one which made me so frustrated with the pink blotches but a second piece I made by combining two of the other versions of this print I designed (the bottom two).

It's actually a fairly simple piece, I quilted the four parts individually and then bound them all together.  The white stripes you see between the panels are actually empty space, not white sashing.  The only tricky thing was figuring out how to fold/lace together the binding where it crosses.  I wound up using button holes and it worked fairly well. 

Black and White and Read All Over, c. Shannon Conley, 2013 18 x 24

I'm pleased I was able to do something with these prints, I had fun making them and thinking about books that have influenced me over the years.

In Progress: Not going so well

The last couple of weeks I've been working on a new art quilt intended for a show called "A Color Runs Through It" being organized by the New Mexico SAQA group.  It's to be 18x24", black and white with one additional color.  Since it's a small format I decided it would be a good chance to experiment with some things I've been wanting to try.

My starting point was the idea of reading and identity.  I've always been a big reader, mostly fiction apart from professional stuff, and have a long list of books that are pretty important to me.  I started by pulling up covers for some of these books.  Some are ones I really feel have helped shape who I am while others are just books I love that I go back and re-read often (much to Mike's amazement).  I turned all the book covers black and white then arranged them by value in a photoshop file.  I then scanned my thumbprint (from a piece of paper), and experimented with overlaying it in different ways on top of the books.

I settled on a few different options and uploaded the file to spoonflower for printing.  I've been wanting to try them for a while and am so glad I finally did!  The print quality was great, you can read all the book titles and everything.  I printed  four different options of my 18x24" panel (it's actually 19x25 so if there's shrinkage during quilting I won't have funny white edges.  The first one, (top left) is just the books while the other three have some version of my thumbprint superimposed on the books prior to printing.

For my first attempt, I decided to use the top left panel with no thumbprint and introduce the thumbprint by printing bits of it on organza and then quilting it.  I have the world's most finicky inkjet printer, and I detest the fabric sheets you can buy (although I do use them), but I found this tutorial for printing on organza.  The main key is using a full-size label sheet, but there are tons of important details in the tutorial so I urge you to click through.  End result, perfect printing and not problems with the printer.

I printed sections of the thumbprint in pink on white organza and in black on pink organza and then layered them on the quilt and fused them down.  I then used a light box to trace the entire thumbprint (from a full size paper printout), and quilted it in various shades of pink.

You guys!  It was a total disaster!  The quilted thumbprint is way too subtle to see unless you're very close to the quilt and even then it's hard to tell what it is.  Even worse, when you step back and look at it, all you see are big giant pink organza blobs!  And don't be fooled into thinking it looks better in person or would look better once the blue washable marker is gone.  It really doesn't.  

One moral of the story: bright pink organza is still bright pink and is not ever going to be particularly subtle even if it's a sheer.  So now I have to make a different quilt for this challenge- I'm going to try to use one of the other three panels I had printed; we'll see how it goes.

Linking up with Nina-Marie as ever!